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| The
A-Train delivers gratis entry to all local acts, national
show discounts... Join now! |
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| Our
bar menu is simply a good time with good food. |
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| JULY 5-6 |
ROOMFUL
OF BLUES
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Even though Roomful
of Blues’ lineup has changed over the years, the
band has always been one of the tightest, most joyful blues
ensembles in the world. Currently an eight-piece unit led
by guitarist Chris Vachon, the band has never sounded fresher
or stronger. In 2007, singer Dave Howard took over the
vocal duties, bringing his gritty and soulful vocals and
adding another bright new dimension to the jazzy, jump-blues
musical roots. Their winning combination of jump, swing,
blues, R&B and soul remains their calling card, as
does their ability to fill the dance floor.
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| JULY 13-14 |
CHARLIE
MUSSLEWHITE & ROBBEN FORD
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Musselwhite’s
version of the blues ventures far beyond conventional honky-tonk
- this is raw, passionate music from a howlin’ blues
legend who’s still invigorated
by a youthful spirit. It’s Charlie’s mix of
wild country abandon seasoned by years of playing urban
electric blues in Chicago. Robben Ford is one of the premiere
electric guitarists today, particularly known for his blues
playing as well as his ability to be comfortable in a variety
of musical contexts.
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| JULY 16-17 |
HOT
CLUB OF COWTOWN
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The Hot Club of Cowtown
has grown to be the most globe-trotting, hard-swinging
Western Swing trio on the planet. Today, after a two-year
hiatus, the Hot Club of Cowtown has resumed touring and
recording in anticipation of a forthcoming release in the
Fall of 2008. The band--Elana James on violin and vocals,
Whit Smith on guitar and vocals, and Jake Erwin on bass
and vocals--still swings harder than ever as it continues
to develop it’s unique, ever-changing sound. This
journey, which began with the roots of the Hot Jazz era,
Americana music, vintage pop and folk music and continues
to unfold into the new sound of the group’s original
songs.
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| JULY 21-22 |
KEVIN
MAHOGANY sings Big Joe Turner
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The celebrated singer
Mahogany comes to town to pay tribute to Kansas City blues
legend Big Joe Turner, and the comparison is hardly a stretch.
Mahogany hails from the same city, radiates the same larger-than-life
persona, seduces with the same silky baritone. He even
played a Turner-inspired character on the big screen a
decade ago. Mahogany is a rare vocalist who “pumps
some welcome new blood into a tradition desperately in
need of a transfusion.” - Washington Post
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| AUG 1-2 |
ERIC
LEEDS / BRIAN LYNCH PROJECT
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Best known for his
work in Prince's Revolution, saxophonist Eric Leeds goes
far beyond jazz foundations, taking elements from hard
rock and pop. Having been a key member of Prince side projects,
The Family and
Madhouse,
Leeds has also shared the stage with James Brown and George
Clinton. He also has a body of solo work that is bold and
diverse, melding rock and pop elements with funk and Latin
beats.
Trumpeter Brian Lynch is one of the most respected bebop and Latin players in
the business. Lynch got his start in New York with the Horace Silver Quintet,
and also appeared in the final lineup of Art Blakey's Jazz Messengers. Currently
he works with Eddie Palmieri's Afro-Caribbean Jazz group as well as producing
a body of solo work that places him among the elite post-bop stylists of today.
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| AUG 10 |
DABY
TOURE
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Toure grew up on the
Senegal River, the southern border of Mauritania. This
fecund intersection of pan-African cultures gave Toure
a broad palate of early musical experiences. Moving to
Paris exposed him to very different musical worlds, notably
American pop andfusion. Toure has taken these unique experiences
to form a musical language all his own. With vocals in
five languages, the BBC called Taure's music "a glorious
fusion" of African
and European elements and "
a testament to the power of music to transcend linguistic
barriers." With vocals in five languages, the BBC
called the album "a
glorious fusion" of African and European elements
and "a
testament to the power of music to transcend linguistic
barriers.
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| AUG 11-12 |
LOU
DONALDSON QUARTET
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“One of the
unique qualities of Lou’s work is that he incorporates
a great deal of the whole jazz tradition in his playing.
He’s listened to just about everyone, and
not only alto players. With this knowledge of the entire
jazz language, Lou is definitely an individual voice.”-
HORACE PARLAN
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Donaldson has a dazzling technique and at his best is a
strong, inventive, expressive player.” - LAWRENCE
KOCH
Alto saxophonist and singer, Lou has played with Milt Jackson,
Thelonious Monk, Art Blakey’s Jazz Messengers, Clifford
Brown and Horace Silver. His early work for Blue Note showed
his impressive mastery of the bop style, until he began
to develop his own distinctive approach—a
bluesy, soulful sound that used organ and guitar as an
essential foundation for his sax playing.
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| AUGUST 21 |
JOHN
PIZZARELLI
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"Mr. Pizzarelli
is innately cool, sly and playful in the mode of his biggest
influence, Nat King Cole." - New York Times
John Pizzarelli is a preternaturally talented guitarist with a
voice as silky as his solos, his performances steeped in cool jazz
and the Great American Songbook. He gets the Nat King Cole comparisons
quite a bit, and they're fair, but after a career that's spanned
nearly three decades and over twenty acclaimed recordings as a
bandleader, it's time to offer a modest proposal: Pizzarelli is,
well, Pizzarelli - a jazz legend in his own right.
Pizzarelli is touring in support of his latest acclaimed record, "Dear
Mr. Sinatra," an album of the legendary singer's favorite
tunes and some overlooked gems.
" A strumming that gets you humming with buttery vocals that are beyond
smooth." - The Journal News
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| AUGUST 22-23 |
JOHNNY
RENO
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Johnny Reno’s
band is swingin’! In his words, “we’re
gonna swing like Frank, we’re gonna drink like Dean-o,
we’re
gonna party like Barney Fife.” Take the classic organ/sax/guitar
combo sounds of Blue Note Records from the 50’s and
60’s, throw in some
classic Sinatra and Bobby Darin vocals and you’ve
got the swinging cocktail jazz sounds of Johnny Reno and
the Lounge Kings. “With the sound
of the Blue Note organ combos of Jimmy Smith, Groove Holms
and Bill Davis having a renaissance,” Johnny explains, “I
though, why not combine a little of the vocal style of
Sinatra with
the organ combo sound, and blend the styles for something
a little different?”
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| AUGUST 25 |
Pee
Wee Ellis and Fred Wesley:
STILL BLACK STILL PROUD
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James Brown was a
hero across Africa, and his exuberant soulfunk anthems
and calls for black pride had a massive influence on performers
like Fela Kuti. So it was an inspired idea to present an
African Tribute to his work, the legendary Pee Wee Ellis
and Fred Wesley have formed a pan-continental soul/funk
supergroup with special guests Cheikh Lo and Vieux Farka
Toure.
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